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欧内斯特和他的儿子杰罗姆花掉了家里最后一笔积蓄买了一头机器人骡子，他们决定用这头电子骡子为在山上钻井的工作人员运送口粮。他们从未想过，这一举动竟然完全改变了他们的未来。费莱姆对欧内斯特的女儿玛丽设下陷阱，目的只为取回属于他的土地，因为他的父亲在21世纪工业化养殖的全盛时期曾经拥有过这片土地。随着弗莱姆的精于算计和天衣无缝的谎言，他的阴谋正一步步走向实现。而这一系列行动将永远改变他们年轻的命运。而欧内斯特的儿子杰罗姆也将做出一个艰难的抉择……。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。